Reflecting on recent retro style
Well, it’s been a minute!
This year we’re keeping our “Thanksgiving table” simple with a fall picnic and fresh food.
A post on learning to run the race, even if you’re still figuring it all out…
Today’s post is about pasta. And unpredictability.
This week, I enjoyed the design challenge of creating a dramatic floral arrangement to be used in a portrait that will be my official blog photo! My love of ’80s design has resulted in a large collection of ceramics–’80s Deco vases (as shown above), spherical pieces, swans in a variety of hues. This spring I decided to document my collection, and to be included in the picture.
I’m eagerly awaiting tonight’s Cut Copy show in Austin, Texas! This ’80s-influenced band from Melbourne, Australia has skyrocketed to indie popularity in the seven years since the release of their first album Bright Like Neon Love in 2004. I remember seeing the band at South by Southwest in 2005 with the guy I’d just started dating (now my husband), and I was heavily drawn to the upbeat, layered synthpop that captivated the crowd.
These last few weeks, Mirror80 has spent time exploring 1980s tribal and jungle styles, which often overlap. From colorful energetic patterns to palm leaf-laden music video sets, the ’80s gone wild evoked by both jungle- and tribal-inspired visuals is filled with intense hues, vegetation-rich patterns and bold geometry.
The ’80s were wild! We’re talking about a decade where people wore socks with high heels and rubber guards over the faces of their watches. But nothing was wilder than the jungle-themed visuals that permeated the art, entertainment and fashion realms. From tropical prints to vegetation-rich settings in music videos, it truly was a jungle out there…
Since we spent last week exploring ’80s tribal fashion and we’re getting ready to celebrate ’80s jungle style, here’s a little primal ditty from British group Toto Coelo (known in America as Total Coelo). They’re not wearing cheetah print frocks or hanging from vines, but the neon hut, palm trees and rhythmic chanting certainly give the piece a jungle-like feel.
On the heels of our ’80s Tribal Fashion post, we bring you the video for a track with a tribal sound: Bow Wow Wow’s 1981 single “Chihuahua.” The band is known for its African-influenced percussion. Drummer David Barbarossa, guitarist Matthew Ashman and bassist Leigh Gorman had previously been key members of Adam and the Ants (Bow Wow Wow’s tendency toward New Romantic fashions designed by Vivienne Westwood are reminiscent of the musicians’ Adam and the Ants days). If “tribal, New Wave romanticism” were a style, this band would emanate it!
As a counterpart to last week’s post on the return of ’80s Afropop, we were planning a follow-up post this week on ’80s musicians (and present-day acts) with a tribal sound. And then I found myself with an armful of clothes at the cash register of Forever 21 this weekend unable to believe my good luck. We’re postponing our tribal music/style post one week to focus on its tribal counterpart in the current fashion world–in case any readers want to high-tail it to Forever 21 stat to revel in all things ’80s, tribal and affordable!
In keeping with the spirit of this week’s Afropop theme, we direct you to the music video (that might as well be a comedy bit) for “You Can Call Me All,” a hit song from Paul Simon’s 1986 album Graceland. Much of the album was recorded in South Africa and featured South African musicians. However, the album was a melding of styles, including pop and rock, and its unique sound earned it the 1986 Grammy for Album of the Year.
This week Mirror80 spotlights ’80s music that was influenced and inspired by African rhythms. When listening to bands like Talking Heads, Tom Tom Club, Bow Wow Wow and Oingo Boingo, or to musicians like Paul Simon and Peter Gabriel, it’s hard not to notice certain connections, especially of the percussive nature.
Our ’80s Egyptian Revival week wraps up with a video it would’ve been crazy NOT to feature! That’s right–it’s the Bangles, with a song they included on their 1986 album Different Light.
